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  1. The changing face of My Florist

    May 18, 2012 by Connor Descheemaker

    Welcome back! After a two-week hiatus, Vanishing Phoenix is back for the summer.

    On our Facebook page this week, we experienced a HUGE jump in traffic after we reposted a New Times article on the changing face of the historic My Florist block along McDowell Road just east of Seventh Avenue.

    After a fairly long back-and-forth, it came out that there was some misinformation being spread in the article, and the whole story wasn’t being told. For those that didn’t see the Facebook conversation, we’ll be talking about the fate of the fabled My Florist sign at the end of this post.

    With the historic sign being in the news once again, we felt it the perfect opportunity to tell the story of My Florist and its decades-long history presiding over McDowell Road.

    The Community Flower Shop

    Photo courtesy of Flickr user thomas23

    My Florist flower shop opened its doors to the public in 1947, to a just-booming postwar Phoenix population.

    Vada Pearl Schwartz, founder of the shop, opened a store with character to match her own. Known for her love of purple and eccentric behavior, Schwartz’s business quickly thrived thanks to its well-traveled location.

    The famed sign was said to be designed by legendary Phoenix neon sign designer Glen Guyett. Guyett was (and still is) highly-regarded across the Valley for his monumental sign work, including the rotating sign which adorned the top of Valley National Bank’s headquarters (soon to be Hotel Monroe), Buckhorn Baths in Mesa, Mr. Lucky’s and Bill Johnson’s Big Apple.

    At over three stories tall, the enormous My Florist sign loomed over all other buildings for several blocks in every direction, welcoming visitors to a Willo neighborhood destination.

    According to local lore, Schwartz held a special affinity for purple, claiming orchids as her favorite flower and always dressing in purple, making the business’ color scheme match her own affections.

    A family business, My Florist was run by Vada until her death in 1966, upon which time the store was taken over by her daughter, Norma Brooking. Just like her mother, Brooking kept the business successful until her death, upon which time the store’s dedicated employees decided to keep the store alive via a trust set up by the Schwartz before her death.

    In 1996, the famed shop finally closed its doors for good. However, the historic building and its incredible sign would not be unoccupied for long.

    The Community Café

    Just a short while after the closure of My Florist, a new restaurant and wine bar arrived to save the day, taking over not only the building, but its namesake: My Florist Café.

    From the end of the ‘90s through the entirety of the 2000s, the Café did brisk business thanks to its unique sandwiches and salads, and popular bar.

    During a time when Phoenix lacked many true “destinations” for dining, My Florist Café proved a pioneer, attracting neighborhood residents renovating the nearby houses, businesspeople eager for lunch options along McDowell, and out-of-towners looking for hip locales in a still-growing Central Phoenix.

    In the evenings, the spot transformed into a swank late-night hangout (by Phoenix standards), staying open till midnight and featuring the talents of Nicole Pesce on the restaurant’s trademark grand piano.

    First spotted doing lunches at the Phoenecian hotel near the Biltmore, Pesce came to perform five nights per week at the Café, working marathon five-hour sets which seamlessly transitioned between classical excerpts and adaptations of pop hits. With over 12,000 songs said to be in her repertoire, Pesce became known for taking texted-in requests while playing and immediately working them into her sets.

    Sadly though, following declining business and the opening of a second location in California, My Florist Café unexpectedly closed at the end of September, 2010. The last major tenant of the historic Hurley Building at Seventh Avenue and McDowell, the structure and sign’s future were left uncertain amid development rumors for the surrounding area.

    A Face Going Forward

    The first plans for the My Florist block were released in early 2011 by developer Lawrence & Geyser. Suspiciously, the famed sign was not included in renderings, leading many to worry about its fate.

    Over time, construction consumed all sides of the McDowell corridor, with the demolition of an entire complex next to My Florist, and the renovation of the plaza across the street, as detailed in our last post.

    According to this week’s New Times article, the My Florist building is due to be inhabited by a new location of the rapidly-expanding Habit Burger chain (across the street from a Five Guys burger joint, no less).

    The entire façade of the retro building is being replaced, with a new patio and entry build-out according to the wishes of the developer and new tenant.

    After hearing from some local advocates, a member of the Willo Neighborhood Association and others, it came to light that the My Florist sign (and building) is currently protected under the Historic Zoning Overlay, forcing any changes to go before the Historic Preservation Office and other city offices. In a nutshell: the sign is safe for the time being.

    The many faces of the My Florist building are analogous to the history of much of Downtown and its surrounding historic areas. All are constantly facing new challenges and changes, and many are now being transformed into franchised businesses.

    Residents and activists across the Downtown area are currently facing a new influx of investment, and must decide whether to support it choose another path. So we must ask, what is character in Phoenix? And how do we shape it into the vision we want?


  2. Seventh street corridor looking at transformation

    April 27, 2012 by Connor Descheemaker

    In the past several years, the Downtown-to-Midtown corridors along the 7’s have seen some major changes.

    First, the legendary Emerald Lounge and original location of the Lost Leaf were forced to vacate their quarters in an historic brick building on the southwest corner of Seventh Avenue and McDowell. The two local establishments would in time be replaced by a Starbucks and a Pei Wei, most recently joined by another neighborhood-favorite in SideBar.

    More recently, along the north side of McDowell leading into Seventh Ave., the local flower shop, antique market, and Willo Bakery left the neighborhood. Then finally, the death blow came with the departure of My Florist Café and its famed grand piano, leaving many wondering about the impending fate of the “My Florist” sign which had dominated the corner for decades.

    Currently, the property is in the throes of being remodeled, with a handful of temporary tenants in place and a Habit Burger outpost in development, just as the next-door property was leveled.

    Across the street, the nondescript beige plaza once used for Tom Horne’s campaign headquarters was redeveloped into a fast-casual chain dining mecca, with a flashy new paintjob and expanded footprint. Where the small modern furniture outpost known as D.A.’s Modern once held sway, there is now a Five Guys Burgers, Jersey Mike’s Subs, Chipotle Mexican Grill, How Do You Roll? Sushi and locally-based chain ZoYo Neighborhood Yogurt. The first non-franchised tenant for the plaza is only now arriving in the form of Vovomeena, a new breakfast concept from DJ Fernandes of Tuck Shop and Astor House.

    Now, a new major redevelopment is in the works at Seventh Street and Roosevelt.

    Looking eastbound along Roosevelt Street toward Seventh, where the proposed development will be located. (Connor Descheemaker/DD)

    Though details are still cloudy at the moment, this past Tuesday the Garfield Organization Revitalization & Economic Development Committee focused its monthly meeting on a new proposal that would transform the entire outlay of Seventh Street from Portland to Garfield.

    The development is confirmed to include a massively expanded Circle K, replacing the current, smaller one already on the corner. As many as 20 pumps will now fill the corner, with hinted-at plans to create a restaurant plaza similar to the one at Seventh Avenue and McDowell.

    Among the potential casualties for the new construction are the Llantera shop, bus depot, a barber shop, laundromat and most notably, the popular Tacos de Juarez, which features a well-known mural by local artist and neighborhood resident Lalo Cota.

    Although none of the buildings are technically historic, this vital thoroughfare (already featuring three gas stations within two blocks, mind you) would be permanently reshaped. A gas station would now welcome residents and visitors into what is supposed to be Phoenix’s arts hub, and one of its oldest, most vital neighborhoods, Roosevelt Row and Garfield, respectively. A potentially-vital multi-modal transit corridor would be dedicated to the automobile for the long term.

    Though nothing is set in stone at the moment, based on Phoenix’s history with such developments, things will begin moving very quickly.

    And so, readers, what are your thoughts? I will continue to update you as plans for the development are revealed. Please feel free to notify me in the comments or via E-mail what has changed in the plans, along with who to contact with regard to questions on the development.

    Blogger’s Note: The initial post read that the first local tenant to occupy the plaza at 7th Avenue and McDowell would be the new Tuck Shop venuture. It has come to my attention that ZoYo Neighborhood Yogurt is a locally-based chain currently in the process of expanding and franchising nationally. The post has been edited to reflect this error.


  3. Chambers building seeing new life?

    April 20, 2012 by Connor Descheemaker

    Vanishing Phoenix is back!

    This week we return with a brand-new profile on one of the few remaining structures in Phoenix’s historic Warehouse District: the Chambers Transfer & Storage Co.

    The historic Chambers Transfer & Storage Co. as it is seen today (Connor Descheemaker/DD)

    Not to be confused with the other Chambers Transfer & Storage Co. on Jackson Street between Central Avenue and First Street (built in 1925), this particular structure sits almost against the also-historic Union Station, on the corner of Fourth Avenue and Jackson Street.

    Built in 1923, Chambers Transfer & Storage was one of the many cottage industries which sprung up Downtown with the arrival trains in the city. Built before the completion of Union Station and the connection of the Santa Fe and Southern Pacific rail lines, the structure anticipated the economic boon the rail was sure to be.

    Named for the Chambers Co., the structure is said to have been built on spec by the O’Malley Lumber Company. Phoenix historical record, however, never confirms whether the lumber company ever actually occupied the space, as the structure was used by Chambers beginning in 1924.

    The style of the structure is known as Spanish colonial revival, a style very rare within the Warehouse District. This Spanish influence is most clearly reflected in the tower-like structures which dominate each edge of the building, with the most prominent one placed right on the corner, prompting passersby with a commanding stimulus to visit. The over-100,000 square-foot structure is the only known project both designed and built by T.B. Stewart Construction Co., a highly-regarded contracting firm during the ‘20s. The company utilized reinforced concrete for the building’s structure, then coating it with tan brick to enhance its visual appearance.

    As was the case with many commercial structures built in this era, the Chambers Building (as it is known locally) was constructed as a mixed-use development. Warehouse space would dominate the back of the building and the upper two floors, while the main floor facing the street would feature prominent retail, drawing visitors just exiting the train at Union Station.

    According to an early newspaper ad for Chambers Transfer & Storage, the company occupied “four modern warehouses” in the area, along with the 126,500 square feet of storage space offered at the Chambers Building. The warehousing operation of the company integrated with the freight and distribution needs of the train station, with Chambers Co. specifically focusing on importing goods to Phoenix from far-off locales.

    Till the 1990s, The Chambers Company (later renamed Chambers Moving & Storage Co., before merging with Mayflower trucking) remained the property owner and main tenant. But, after seven decades of continuity, new plans were eventually put in place.

    The structure's high windows, now filled with concrete (Connor Descheemaker/DD)

    During the 1990s, with the arrival of America West Arena (now US Airways Center) and Bank One Ballpark (now Chase Field), the Warehouse District experienced a brief renaissance. Artists displaced by the sports stadiums’ construction filled the remaining warehouse and loft spaces, and a group led by the IceHouse art space proposed redeveloping the entire area into an arts district, similar to Roosevelt Row today but on a grander, city-supported scale. With the Chambers Building’s proximity to the marquee Union Station, it garnered a large amount of hype to be transformed into a hip, new housing or studio complex.

    However, as reported by a 2000 Arizona Republic op-ed column, it was not meant to be. As part of a reported $150,000 exterior renovation, the building’s magnificent windows were “filled in with concrete” and the interior was leased by Telecom Center, a telecommunications company who chose the building due to its sturdy construction.

    In the decade-plus since, the Chambers Building has remained a telecom center, with the property owned by Maricopa County, notorious for its decades of abusing and tearing down historic properties.

    But small signs of life exist. For decades, the property has been listed on both the Phoenix Historic Property Register and the National Register of Historic Places. To this day, the property remains occupied by the Telecom Center, and in solid ownership by Maricopa County.

    Blogger’s note: An earlier version of this story stated that the new Ra-Apparel clothing company was occupying the upper floor of THIS Chambers Building. Upon further research, the upstart business is working in the upper floor of the OTHER Chambers Building on Jackson Street near First Avenue. Vanishing Phoenix apologizes for the misleading information.

    Blogger’s Note: All information in this post, unless noted, came from the 1984 Junior League of Phoenix Historic Phoenix Commerical Properties Survey, never replicated. The study documented all current and potential historic properties in the Phoenix area. A big thanks to John Jacquemart and the Phoenix Historic Preservation Office for their help in accessing this invaluable material.


  4. Busy, Busy, Busy!

    April 13, 2012 by Connor Descheemaker

    Photo Courtesy of Connor Descheemaker

    Hello!

    All week, Phoenix Urban Design Week has been taking control of Vanishing Phoenix. Unfortunately, that means no real new post for the week.

    However, that doesn’t mean the week is without preservation and history news!

    Make sure to check out all of the week’s Phoenix Urban Design Week coverage here. Especially take note of this story on Monday’s events, which included lectures by the authors of Images of America: Downtown Phoenix, and Sloane McFarland, principal of Martha + Mary, a local development firm devoted to fine-grain adaptive reuse projects (you might know him from this project best).

    Thanks for your understanding, and we’ll see you back next Friday!


  5. Preserved Beauty on Display

    April 6, 2012 by Connor Descheemaker

    As the spring wraps up and temperatures start to rise in the Valley, festivals and tours attempt to get in one last outdoor hurrah.

    These past two weeks were prime examples of such festivities, featuring two major historic property tours, one hosted by the AIA’s Arizona branch, the other the legendary Modern Phoenix Expo + Home Tour.

    Each event brought out dozens of attendees, with one catering to more industry-centric folks, and the other welcoming anyone interested in the Phoenix’s midcentury design peak.

    The Reincarnation Tour

    Restoration Place/Cannon Design a.k.a. Knights of Pythias Phoenix Lodge #2, built 1928 (Photo courtesy of Connor Descheemaker

    March is labeled Eco Month for the Arizona component of the American Institute of Architects. To commemorate the occasion, each year the AIA-AZ curates a full month of events flaunting the importance of “green” building and eco-friendly design.

    The main event of the month’s activities was the Reincarnation Tour, a daylong fete centering on the key phrase, “Reuse is the Ultimate Recycle,” which guided the entire day’s festivities.

    The event featured a panel discussion with four major figures in the world of adaptive reuse in Arizona, followed by a full-day self-guided tour of local success stories of adaptive reuse.

    The discussion itself took place in the celebrated FilmBar, a ‘60s stamp factory-turned-indie movie theatre, performance space and bar, designed by local AIA architect Taz Loomans (who also happened to be sitting on the panel for the day). Other panelists were Michael Levine of Levine Machine Development, LLC, owner and renovator of numerous buildings in Downtown’s Warehouse District, including The Duce and Bentley Projects; Brendan Mahoney, Senior Advisor for Economic and Community Development to Mayor Greg Stanton; and Cindy Dach, Acting Director of Roosevelt Row CDC and property owner/renovator in the Roosevelt District.

    Topics for the discussion swirled from speaker to speaker, including notable rants by the ever-intriguing Michael Levine, long-known for his hard-nosed Brooklyn-born attitude.

    Some choice quotes from the day:

    On Phoenix’s inability to fully grasp adaptive reuse—“What we need to [ask is] how do we create a structure that makes adaptive reuse the most economically sensible choice.”—Brendan Mahoney

    On the inherent qualities of old buildings—“These buildings embody a lot of character that hard to generate…you can’t fake history…No matter how great of an architect you are, you can’t fake it.”—Taz Loomans

    On temporary reuse generating economic activity in Roosevelt Row—“The businesses reported such an increase in traffic with the sunflowers!”—Cindy Dach

    On how to get people to understand the need for preservation—“[We need to learn] how to give some intrinsic value to the land.”—Michael Levine

    Crescent Ballroom a.k.a. F.L. Hart Garage, built 1917 (Photo courtesy of Connor Descheemaker

    Following audience questions and some mingling, the group of 60+ dispersed to the city to view Downtown’s greatest examples of adaptive reuse. Due to prior commitments, I was only able to view the first of five “zones” of buildings grouped around the light rail. However, in just that short time, I was able to view the Phoenix Public Market, Crescent Ballroom, A.E. England Building in Civic Space Park, Restoration Place/Cannon Design (built as the Knights of Pythias Phoenix Lodge #2) and Matt’s Big Breakfast, all decades-old structures which have found new life thanks to visionary architects and business-owners.

    Modern Phoenix

    In 2003, Modern Phoenix was founded as a massive web resource bank and message board documenting midcentury design in Phoenix, especially in relation to architecture. As time went on and interest in the site grew, founder Alison King sought a new way to reach the many fans of midcentury modernism in the Valley.

    After much deliberation, King made the decision to hold the first annual Modern Phoenix Home Tour + Expo in 2005, hosting 120 of the Valley’s biggest “MoPho’s”, a term coined to represent fans of Modern Phoenix and midcentury modern design.

    Fast-forward to 2012, and Modern Phoenix is in its eighth year, now drawing over 1,000 design enthusiasts spread out over a week’s worth of activities.

    Hundreds attend the Expo held at the Scottsdale Center for the Performing Arts, which features midcentury-style artisans, historic preservation groups and authors alongside a half-dozen presentations on various issues related to architecture and modern design. And hundreds more gobble up tickets many weeks in advance to attend the Best of Phoenix award-winning Home Tour, centering on a different historic neighborhood each year.

    At Saturday’s Expo, the highlight of the day was the keynote lecture, which explained the enigmatic history of the long-developed-but-short-lived Rose Pauson House, built by Frank Lloyd Wright for a woman of the same name. Though the house burned down under two years after its completion, its remains stayed put for decades and the iconic design became part of the lore of Phoenix and Wright.

    The lecture was led by Pauson’s own great-nephew, who presented his great-aunt’s many photos of the home alongside Wright’s many designs and architectural plans. However, adding a unique twist, the lecture featured a two-person performance utilizing some of the many letters (personal and professionl) exchanged by Pauson and Wright during the years of the house’s construction.

    Sunday’s Tour focused on the Marion Estates development and its surrounding area near Phoenix’s Arcadia neighborhood. Major highlights from the tour included:


    Frank Lloyd Wright’s Boomer House, 1953 (Photo Courtesy of Connor Descheemaker)


    Ralph Haver split-level Evertson House from 1959 (Photo Courtesy of Connor Descheemaker)


    Alfred Newman Beadle’s 1959 Healy/Fearnow Residence, updated by Beadle himself as one of his final project before his death. (Photo Courtesy of Connor Descheemaker)


  6. Vanishing Places and Vanishing People

    March 30, 2012 by Connor Descheemaker

    Vanishing Phoenix to me encompasses far more than buildings.

    I feel that this blog is responsible for speaking for all things that could go by the wayside in our great city. And this includes the people.

    As the city expands, evolves, modernizes at every turn, we musn’t forget the people which give Phoenix its true character. We must look around us and allow anyone and everyone to enter into our lives, not just the wealthy gentrifiers.

    Wednesday night, I left the Downtown Devil Discussion on public spaces to inhabit another public space: the light rail.

    Every day I ride the rail to and from my home in Tempe, and I truly cherish it. Not only does the trip provide me with time to prepare for or decompress from a long day of school and work, it places me in an environment which always allows for serendipitous encounters—the true sign of a wonderful, prosperous public space.

    This particular day, it was later in the evening, and I had spent an exhausting day Downtown; I just wanted to get home.

    At this time of night, especially during the week, an eclectic array of passengers is to be expected. Here is when the forgotten people of the city take their leave from the core for the long ride home.

    I had my bike for the day, so I stationed myself amid the bike racks in the center of the rail car. To my right sat a middle-aged black man, missing teeth, clearly weathered by the world he had experienced. At his knees he propped up a soiled mountain bike attached to a toddler trailer, stocked with two sizable djembes.

    Across from me sat a white man in his 30s, laying his head exhaustedly on the window of the train, moving quickly from wakefulness to sleep. Down the car, I spotted a young white boy, heavy and dirty, looking around innocently, though clearly faced with a difficult world.

    As we crossed the bridge over Tempe Town Lake, the boy moved into our section, looking excitedly at the view out the window, leading the middle-aged man to comment on the bridges’ lit beauty in the night. The man added that he was returning from performing at a Downtown march in support of Trayvon Martin, the slain Florida teen who has brought the entire nation to talk once more about race relations in America.

    The man had skipped his usual Wednesday-night drum circle gig at the Lake, dismally noting the minimal turnout at the march. He smiled at my attention, and quickly invited me to come by sometime and view his performance.

    At Mill, with the help of the boy (especially happy to help) and I, the man maneuvered his bike out of the train and thanked us for his service. The train lurched onward.

    Now united by our aid of the man, the boy eagerly began to converse with me, along the way noting his dire state and asking me for a dollar to get himself a bus ticket home, which I happily obliged. Aside, he asked if the rail security had come through, admitting his own lack of a rail ticket.

    By this time, the younger man had awakened, and smiled genuinely at the boy and I. He began asking me questions, initiating a good-natured dialogue between the two of us: me sharing my college life, and he sharing his work at the Banner Good Samaritan hospital near Downtown.

    Most times he asked a question, the precocious boy chimed in with his own answer, illuminating his own life in the process.

    The man elaborated on his joy in working with the people at the hospital; that despite the busyness of his job, he knew he was providing something valuable, and was able to interact with truly invested people.

    The train stopped once more, and in stepped two security guards, ready to check tickets. The boy fearfully exited before they could expose his sad lacking, my dollar in hand.

    Further along, the man noted the architecture of the hospital in which he worked, seeming to pick up on my mention of urban planning earlier.

    “A lot of people criticize it, but it’s really pretty functional. It has a clover design from above with an elevator tower in the center.”

    There was clearly more to this man than met my (weary) eye.

    “It was actually done by a very famous architect [Bertrand Goldman and Associates, Chicago] and its blueprints are in the Chicago Art Museum.”

    He certainly had my attention.

    From there, our conversation continued on the topic architecture. He brought up the current Frank Lloyd Wright exhibit at the Phoenix Art Museum. The man effortlessly moved from one loving description to another, expressing awe at the incredible array of original drawings of Wright’s on display, lingering on his amazement at the full city plans [Broadacre City] put together by Wright during his creative peak.

    I couldn’t help myself. I probed more deeply into his interest in architecture. At this, he sheepishly backtracked, recounting a bit of his family’s story, noting the perspective it provided in his life, and lamenting his need for practicality.

    Sadly, as the rail requires, my stop arrived, and I was forced to take my own leave. He shared his name, and I departed with a wide grin.

    As Phoenix modernizes and (hopefully) re-imagines its history, there are many things to keep in mind.

    As the new condos arrive, and the multi-million dollar re-models return to market, we must not forget about those around us.

    A thing that vanishes is first forgotten. And throughout our history, Phoenix has repeatedly let that tragedy occur with its buildings. But we cannot afford to let that happen with our people.

    The people will be the ones which hold our true history, and will pass it on to those that arrive next.

    That is the mark of a truly great city: a place which does not let its past vanish.


  7. Odds and Ends

    March 23, 2012 by Connor Descheemaker

    For this week’s post, we’ll be covering a little bit of everything.

    This year being Arizona’s centennial, numerous tours and events are showcasing the history of the state, with many long-dormant structures seeing their first activity in years.

    First, in preservation and renovation news, Tovrea Castle and Hayden Flour Mill

    Tovrea Castle

    Photo Courtesy of Flickr user koiart71

    What is that? Is that Wrigley Mansion? Mystery Castle?

    These are the questions I often hear from tourists and retirees (and even natives!) on the light rail as they pass this fabled cake-like structure near 52nd Street and Van Buren in Phoenix.

    The property’s true origins lie in Italian immigrant Alessio Carraro, who arrived in Phoenix via San Francisco in 1928 as a successful sheet metal manufacturer, gold miner, and land developer. Carraro purchased the Castle’s current property with aspirations to turn it into a high-end resort and housing project, banking on the area’s potential for growth.

    After two years of construction, the crown jewel of the development was completed: what we now know as Tovrea Castle.

    Sadly though, a change in fate caused Carraro to sell the central structure and surrounding land to E.A. Tovrea and his family, who kept the property as a private residence.

    In 1993, after falling into disrepair, the Castle was purchased by the City of Phoenix; a property that had since become a locus for lore in the city.

    Beginning in 1998, the City began restoring the gardens surrounding the property to their former grandeur. 13 years and thousands of dollars in private donations and public bonds later, Tovrea Castle at Carraro Heights is open to the public for the first time ever.

    Since the beginning of March, the Castle has been offering two tours each Saturday and Sunday of the historic structure’s ground floor and basement, along with the surrounding gardens. Most recently, as the tours have gained popularity and recognition, the Tovrea Carraro Society (the non-profit which oversees the property) has issued a call for volunteers to provide tours for the thousands of curious Phoenix residents, tourists and passersby who have long marveled at the Valley’s most famous “cake.”

    Hayden Flour Mill

    Photo Courtesy of Flickr user kevin dooley

    Since 1874, a Hayden Flour Mill has stood along the Salt River (along today’s Mill Avenue) in Tempe.

    Town pioneer Charles Trumbull Hayden brought industry to the land near the roaring river in the late 19th century, rebuilding his mill from scratch twice following devastating fires, eventually ending up with the property’s current cast-in-place concrete structure, completed in 1917. Across three generations, the mill remained in continuous operation, finally ceasing operations totally in 1998.

    Since the mill’s closing, the City of Tempe has fielded numerous proposals to redevelop the Downtown landmark and make it a true icon for the city.

    After several development failures and another fire on the property, the City and Downtown Tempe Community Inc. decided to take matters into their own hands, helping fund a facelift for the building’s exterior and grounds, creating a temporary use for the property as a public space and events venue.

    Over the past few months, construction crews have been working on the ground floor of the Mill, making it viewable to the public, while putting in public art and making room for the Tempe Urban Garden—previously located adjacent to the City Hall parking garage.

    The facelift is aimed to reignite interest in the property, and engage the public in what should be a major historic landmark, rather than an eyesore for visitors to the vibrant Mill Avenue district.

    Upcoming Events

    The Reincarnation Tour

    March is Eco Month for the American Institute of Architects. To celebrate, the AIA’s Arizona chapter has programmed an entire month of events, culminating in the Reincarnation Tour of adaptively reused properties throughout Downtown Phoenix.

    The daylong event begins at 11a.m. at FilmBar with an hourlong community panel discussion on adaptive reuse in Phoenix, featuring such luminaries as Michael Levine, Taz Loomans, and Cindy Dach. Following the discussion, attendees will be led through dozens of historic structures across Downtown for drinks, food and entertainment. See all the details for this FREE event on Facebook.

    Check back next week for a review (with photos!) of the tour and discussion.

    Modern Phoenix Week

    Eight years running, Modern Phoenix Week is back in the Valley! Beginning tonight with an art opening at Phoenix Metro Retro, Phoenix and Scottsdale will be alive with midcentury modern design.

    Numerous tours, lectures and openings will all culminate in the annual Expo and Seminars on Saturday the 31st, and the Home Tour on Sunday the 1st. The festivities will be taking place all over town, so make sure to check modernphoenix.net throughout the week for updates and programming information.

    Check back in two weeks for a full review of the Modern Phoenix Expo and Seminars.


  8. The Historical Significance of Art Detour

    March 16, 2012 by Connor Descheemaker

    This weekend represents the arrival of the 24th edition of Art Detour. This annual gallery and studio tour brings out the best work of the year from the top Downtown artists alongside visitors from across the state, region, and even the country.

    What began as a small gathering in a largely-dormant downtown has turned into an annual attraction, drawing thousands to the city for what has now become known as an extended First Friday of sorts, due to the soaring popularity of the annual tour’s monthly offshoot.

    In honor of the event’s return, and the return of Vanishing Phoenix, I’ll be throwing the spotlight on the two oldest galleries left in the city: The IceHouse and Alwun House.

    Alwun House

    (Photo by Connor Descheemaker)

    It could be said that the entire Downtown arts scene was built on the back of the Alwun House.

    Over the past 41 years, the Garfield District bungalow has played host to the most outrageous, boundary-pushing art the Wild West has ever seen. And though it’s been an arts fixture for so many decades, it’s been an historic plot of land for even longer.

    The property at 1204 East Roosevelt Street began as the sole stately residence of a neighborhood now in transition. Built for German immigrant and merchant John Sedler in 1912, the house spurred the so-called “Sedler’s Addition” in what is now the Garfield Historic District, just outside the core of Downtown Phoenix. The Sedler House was the only property in the area, overlooking acres of alfalfa fields to the south of the homestead.

    By 1948, Sedler and his family had sold the house to Earl Brown and his family, with whom it remained until 1971.

    Though the house began in a wealthy, well-regarded fashion, in Brown’s hands the property began to blend in with the growing neighborhood, which after World War II became home to increasingly large numbers of African-American migrants from the South. The property sadly decayed along with the rest of the neighborhood until a new set of visionaries arrived to take the masterpiece home into its next golden era.

    In 1971, Alwun House Founder Kim Moody purchased the historic home, aiming to make it a hub for alternative arts of all kinds in Phoenix.

    The first decade featured massive retrofitting, with Moody and others cleaning and refurbishing the house, and establishing the gardens for which the House has become famous. Formed as a non-profit, the space was able to pursue multiple angles at once, becoming a contemporary art gallery on the main floor and a theater and performance space in the basement. Additionally, the Alwun House became home to the first downtown coffee shop and the first staging of performance art ever in the Valley.

    The center’s peak came in the ‘90s when Alwun House hosted the Carribean Carnival festivals, which drew as many as 17,000 visitors at locations across the city. But one year, the festival went awry due to inclement weather, leaving the House in foreclosure and Downtown’s alternative arts legacy hanging in the balance.

    Luckily, thanks to a few fortunate grants and donations, Dana Johnson and original owner Moody were able to regain the House and put it back on stable footing.

    41 years in, the “Sedler House” has been the Alwun House for more years than any previous incarnation. Placed on the Arizona State Historic Preservation Office’s Inventory of Historic Properties in 1993, and listed as a registered historic property in 2005, the Alwun House is here to stay.

    The IceHouse

    (Photo by Connor Descheemaker)

    This massive, raw industrial building has been captivating artists and art enthusiasts for over 20 years, but it is its historic purposes that are truly amazing.

    Though there is some argument over the date of the building’s construction, the property owners lay claim to two separate periods of building: 1919 and 1921. At this time, the facility went by a different name.

    In 1919, Constable Ice Storage was founded and the loading dock was constructed. From there, large blocks of ice would be hauled onto passing train cars in the era before refrigeration, keeping vital food stores cold for trips to the east and west.

    In 1921, the building was expanded with into what are now known as the Cathedral, Silver, and White Column Rooms. Constable expanded its production of ice, utilizing numerous rooms enclosed by foot-thick doors to manufacture and preserve the ice it so vitally provided.

    Once refrigerated rail cars arrived, Constable Ice Storage was transformed into another kind of storage: crime storage. For several decades, the Phoenix Police Department used the space to store crime-scene evidence. Most notably, the facility was said to have held the remains of Don Bolles’ car, the Arizona Republic reporter who died in an alleged mob hit while he investigated the mafia’s presence in the Valley.

    In 1990, the space was converted to its current use: experimental arts wonderland. The trailblazing David Therrien and Helen Hestenes, formerly of the infamous CRASHarts space on South Seventh Avenue, bought the building, which played host to a wild array of arts-related antics throughout the ‘90s.

    Famously, the venue housed two CRASH Grand Prix’s (a parade of heavy-metal art cars), the CRASH Culture Awards, the first-ever Phoenix-Mexico artist exchange under NAFTA with X-Teresa in Mexico City, and two shows from Mark Pauline and his legendary Survival Research Laboratories.

    After a setback during the couple’s divorce, the venue returned strongly for awhile before falling on hard times along with the economy. However, over the past year the space has experienced a resurgence, putting it once again at the forefront of the Downtown Phoenix arts scene.

    Both spaces will be open all weekend long for Art Detour. Be sure to visit artlinkphoenix.com for all the details.


  9. Welcome

    March 16, 2012 by Connor Descheemaker

    Welcome to the all-new Vanishing Phoenix.

    Two years ago, this blog was founded by some of Phoenix’s most engaged advocates, aiming to shed light on the largely-disregarded history of this young city. Through dozens of posts, the authors documented Tovrea Castle, No Festival Required, the Arizona Preservation Foundation and many other buildings, groups and events dedicated to the same cause.

    Similarly, at the Downtown Devil, my colleague (and current Managing Editor) Jack Fitzpatrick took a keen interest in Phoenix’s history upon his arrival in the city. Each week, he documented a different historic building, detailing its past, present and future, taking care to show its vitality and importance within the context of the city.

    Consider this the culmination of all that came prior.

    A few weeks ago, the authors of Vanishing Phoenix came to the Downtown Devil with a proposition to take over the dormant blog, and give it new life on our blooming array of sub-sites. As a long-time reader myself, I jumped at the opportunity to contribute to the ever-growing dialogue of preservation and understanding in Phoenix.

    This blog will be a hub of information for all things Phoenix history, with an emphasis on Downtown and Midtown. Through weekly posts, Vanishing Phoenix will feature various historic buildings and their current uses, interviews with preservationists and architects, previews and reviews of building tours and other events and much, much more.

    The site will evolve over the next few weeks as we add archived content from both the previous incarnation of Vanishing Phoenix and PHX History to provide a veritable compendium of information on Phoenix’s historical background.

    Phoenix is rising yet again, but this time with its history intact. I hope you’ll join me.